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What is Jeff George Net Worth & Career Earnings



Jeff George Net Worth

What is Jeff George Net Worth & Career Earnings – Fulloaded




Jeff George Net Worth , Biography and His Career Earnings. Jeffrey Scott George  is a former American college and professional football player in the National Football League (NFL). He played college football for the University of Illinois after transferring from Purdue. George was drafted by the Indianapolis Colts with the first overall pick of the 1990 NFL Draft, and also played for the Atlanta Falcons, Oakland Raiders, Minnesota Vikings, Washington Redskins, and Seattle Seahawks of the NFL.

Net Worth$30 Million
BornDecember 8, 1967
CountryUnited States of America
GenderMale
Occupationfootball player
Height6 ft 4 in (1.93 m)
Weight218 lb (99 kg)
Last Updated

Jeff George Net Worth

Jeff George Net Worth

Jeffrey Scott George  is a former American college and professional football player in the National Football League (NFL). Who has a total Net Worth of 30 Million Dollars, According to Forbes And Fulloaded Update.

 

Jeff George Biography

Jeffrey Scott George (born December 8, 1967) is a former American college and professional football player in the National Football League (NFL). He played college football for the University of Illinois after transferring from Purdue. George was drafted by the Indianapolis Colts with the first overall pick of the 1990 NFL Draft, and also played for the Atlanta Falcons, Oakland Raiders, Minnesota Vikings, Washington Redskins, and Seattle Seahawks of the NFL.

 

Jeff George  Early life

George was born in Indianapolis, Indiana. He attended Warren Central High School, where he received the Dial Award for the national high school scholar-athlete of the year in 1985 and was the first Gatorade National Player of the Year. He attended Purdue University and the University of Illinois.

 

Jeff George Career

George transferred after a year at Purdue when the coach who recruited him, Leon Burtnett, resigned. Burtnett’s replacement was Fred Akers, who had been known for his teams that used a run-heavy option type offense that required a more mobile quarterback. George subsequently committed to the University of Miami, but he backed out when coach Jimmy Johnson would not guarantee him a starting job. George stayed at Illinois for two years, leaving with a year of eligibility remaining after being assured he would be drafted as one of the first five picks of the NFL

He would finish his college career with 6,212 yards and 35 touchdowns and 35 interceptions. In 1989, he threw for 2,738 yards with 22 TD vs 12 INT.

 

Jeff George Professional career

Indianapolis Colts

The Colts traded to draft George, making him the first pick in the 1990 draft, and signed him to the richest rookie contract in NFL history at the time (worth a total of $15 million). George threw 46 interceptions to 41 touchdowns and lost 35 of his 49 career starts as a Colt; his only winning season with the Colts was 1992, during which he played ten games and threw 15 interceptions to seven touchdowns. Before the 1993 season, he refused to report to training camp and only returned to the team when Jim Irsay made it clear that George would have to pay a huge penalty fee for breach of contract if he did not get back to work. The Colts traded George to the Atlanta Falcons after the 1993 season.

 

Atlanta Falcons

In 1995, George led the Falcons to their first playoff appearance since 1991. On September 22, 1996, in a game against the Philadelphia Eagles, George got into a heated argument on the sidelines with Falcons coach June Jones, all of which was caught on camera for a national television audience. Jones suspended George for the remainder of the 1996 season and Atlanta dealt George to the Oakland Raiders after the season. It was later confirmed that George blamed team management for his problems and felt Jones betrayed him by not standing up to this alleged mistreatment. Years after the incident, Jones became an advocate for George, stating that the TV argument was overblown and that George was a good quarterback, a team player and worthy of being on an NFL roster.

 

George’s record with the Falcons was 16–19; he had the best completion percentage (60.5) of his career with 50 touchdowns and 32 interceptions.

 

Oakland Raiders

George signed with the Oakland Raiders after leaving Atlanta. In the 1997 season opener, George was a part of NFL history. George’s first start as a Raider also happened to be the first NFL regular-season game played in the state of Tennessee. The Oilers, in their first home game since their controversial relocation from Houston, ruined George’s debut (he threw three touchdowns to Tim Brown) by beating the Raiders, 24-21, on an Al Del Greco field goal in overtime. Another notable moment for the Silver and Black came in Week 8; against the visiting Broncos, George delivered a workmanlike performance (9-12, 96 yards, 2 TD, 1 INT). Thanks in large part to Napoleon Kaufman’s 227-yard performance on the ground, the host Raiders upset the eventual world champions, 28-25. In his eighth year in the NFL, he had arguably his finest statistical year, throwing for 29 touchdown passes and 9 interceptions, for a 91.2 passer rating. However, despite George’s stellar statistics, the team struggled overall; their defense finished 28th in scoring. Oakland finished 4–12 in Joe Bugel’s one and only season as the Raiders’ head coach.

The next year, the offense had changed to head coach Jon Gruden’s West Coast scheme, a controlled-pass approach, that did not suit George’s strengths. George was inconsistent at the beginning of the year, and later struggled with a groin pull, telling a local radio audience that he was finished for the year. He also ignored the offensive coordinator’s play calls during the 1998 season and ran his own plays through a wristband containing plays (in an interview, George told Joe Theismann that he did what the coaches wanted on 1st and 2nd down, and simply threw it to Tim Brown on 3rd down). The Raiders ended George’s Oakland tenure when they signed free-agent quarterback Rich Gannon.

 

Minnesota Vikings

George next played for the Vikings, as a backup to Randall Cunningham. Cunningham struggled at the start of the 1999 season and was benched. George took over the starting role in 10 games as a starter, going 8–2 with 23 touchdowns, 8.6 yards per attempt and a 94.2 rating in leading Minnesota to the playoffs. George earned his first career playoff win, throwing three touchdown passes to lead the Vikings over the Dallas Cowboys 27–10. The Vikings lost the next week to the eventual Super Bowl champion St. Louis Rams 49–37. When George took too long to agree to terms with the Vikings in the offseason[citation needed], they chose not to renew his contract. George ended up signing with the Washington Redskins.

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Washington Redskins

George hoped to return to Minnesota as a starting quarterback but was told by head coach Dennis Green to “shop around”. After attempting to speak to other teams about securing a starting quarterback job, he was eventually offered a one-year, $400,000 contract by Minnesota, with incentives of up to $1.4 million. Rather than sign with the Vikings, George signed a four-year contract worth $14.8 million with the Washington Redskins as Brad Johnson’s backup. Johnson went down in week 9; George replaced him and went 1–2 in the next three games. Johnson returned but played poorly against the New York Giants. George replaced him and started two games, both losses, after Norv Turner was fired in favor of interim coach Terry Robiskie. After the season, Johnson departed Washington for Tampa Bay, leaving George as the Redskins’ starter going into 2001.

Before the 2001 season, Washington hired as head coach Marty Schottenheimer, who promised to install a West Coast scheme similar to that of Gruden in Oakland. George clashed with Schottenheimer over the offense, though the coach promised to work George through any problems he might have with the scheme. Washington released George after a 37–0 Monday Night loss to the Green Bay Packers, in which George had a 34.6 passer rating, the worst in the first two weeks of the 2001 season. The Redskins were 0–2, having been outscored 67–3. George was given 24 hours to remove his personal items from the Redskins’ facilities before they were discarded. He was replaced by Tony Banks, who led the team to an 8-8 record after an 0-5 start.

 

Seattle Seahawks

George seemingly retired after his last game in Washington, but he proceeded to make several sideline appearances in the following years. He signed briefly with the Seattle Seahawks in late 2002 as an emergency quarterback.

 

Chicago Bears

In 2004, after two years away from the game, George joined his seventh club, the Chicago Bears. He signed a one-year contract in November for a backup role, but he never took the field during a game. George was not retained by the Bears for the 2005 season or signed by another team. The Detroit Lions worked him out during their bye week if they needed another quarterback but George was not offered a contract

 

Oakland Raiders (second stint)

On August 28, 2006, the Oakland Raiders signed George. He was expected to compete for the third-string quarterback position. However, he was released during final cuts only five days later on September 2, 2006.

 

Jeff George Media

George has made occasional appearances on NFL Total Access with Rich Eisen and Terrell Davis. Following George’s final seasons in the NFL, Jason Whitlock wrote several columns expressing his belief that George could still play and was deserving of an NFL try-out. George and Whitlock are longtime friends, having played high school football together

 

Jeff George Personal life

His son, Jeff Jr., followed in his father’s footsteps and played quarterback for the University of Illinois before transferring to the University of Pittsburgh.

 

Additional Contents

What is Biography

 

A biography, or simply bio, is a detailed description of a person's life. It involves more than just the basic facts like education, work, relationships, and death; it portrays a person's experience of these life events. Unlike a profile or curriculum vitae (résumé), a biography presents a subject's life story, highlighting various aspects of their life, including intimate details of experience, and may include an analysis of the subject's personality.

 

Biographical works are usually non-fiction, but fiction can also be used to portray a person's life. One in-depth form of biographical coverage is called legacy writing. Works in diverse media, from literature to film, form the genre known as biography.

 

An authorized biography is written with the permission, cooperation, and at times, participation of a subject or a subject's heirs. An autobiography is written by the person themselves, sometimes with the assistance of a collaborator or ghostwriter.

 

History

 

At first, biographical writings were regarded merely as a subsection of history with a focus on a particular individual of historical importance. The independent genre of biography as distinct from general history writing, began to emerge in the 18th century and reached its contemporary form at the turn of the 20th century.

Historical biography

 

One of the earliest biographers was Cornelius Nepos, who published his work Excellentium Imperatorum Vitae ("Lives of outstanding generals") in 44 BC. Longer and more extensive biographies were written in Greek by Plutarch, in his Parallel Lives, published about 80 A.D. In this work famous Greeks are paired with famous Romans, for example the orators Demosthenes and Cicero, or the generals Alexander the Great and Julius Caesar; some fifty biographies from the work survive. Another well-known collection of ancient biographies is De vita Caesarum ("On the Lives of the Caesars") by Suetonius, written about AD 121 in the time of the emperor Hadrian.

 

In the early Middle Ages (AD 400 to 1450), there was a decline in awareness of the classical culture in Europe. During this time, the only repositories of knowledge and records of the early history in Europe were those of the Roman Catholic Church.

 

Hermits, monks, and priests used this historic period to write biographies. Their subjects were usually restricted to the church fathers, martyrs, popes, and saints. Their works were meant to be inspirational to the people and vehicles for conversion to Christianity (see Hagiography). One significant secular example of a biography from this period is the life of Charlemagne by his courtier Einhard.

 

In Medieval Islamic Civilization (c. AD 750 to 1258), similar traditional Muslim biographies of Muhammad and other important figures in the early history of Islam began to be written, beginning the Prophetic biography tradition. Early biographical dictionaries were published as compendia of famous Islamic personalities from the 9th century onwards.

 

They contained more social data for a large segment of the population than other works of that period. The earliest biographical dictionaries initially focused on the lives of the prophets of Islam and their companions, with one of these early examples being The Book of The Major Classes by Ibn Sa'd al-Baghdadi. And then began the documentation of the lives of many other historical figures (from rulers to scholars) who lived in the medieval Islamic world

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By the late Middle Ages, biographies became less church-oriented in Europe as biographies of kings, knights, and tyrants began to appear. The most famous of such biographies was Le Morte d'Arthur by Sir Thomas Malory. The book was an account of the life of the fabled King Arthur and his Knights of the Round Table. Following Malory, the new emphasis on humanism during the Renaissance promoted a focus on secular subjects, such as artists and poets, and encouraged writing in the vernacular.

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Giorgio Vasari's Lives of the Artists (1550) was the landmark biography focusing on secular lives. Vasari made celebrities of his subjects, as the Lives became an early "bestseller". Two other developments are noteworthy: the development of the printing press in the 15th century and the gradual increase in literacy.

 

Biographies in the English language began appearing during the reign of Henry VIII. John Foxe's Actes and Monuments (1563), better known as Foxe's Book of Martyrs, was essentially the first dictionary of the biography in Europe, followed by Thomas Fuller's The History of the Worthies of England (1662), with a distinct focus on public life.

 

Influential in shaping popular conceptions of pirates, A General History of the Pyrates (1724), by Charles Johnson, is the prime source for the biographies of many well-known pirates.

 

A notable early collection of biographies of eminent men and women in the United Kingdom was Biographia Britannica (1747-1766) edited by William Oldys.

 

The American biography followed the English model, incorporating Thomas Carlyle's view that biography was a part of history. Carlyle asserted that the lives of great human beings were essential to understanding society and its institutions.

 

While the historical impulse would remain a strong element in early American biography, American writers carved out a distinct approach. What emerged was a rather didactic form of biography, which sought to shape the individual character of a reader in the process of defining national character.

Emergence of the genre

 

The first modern biography, and a work which exerted considerable influence on the evolution of the genre, was James Boswell's The Life of Samuel Johnson, a biography of lexicographer and man-of-letters Samuel Johnson published in 1791.

 

While Boswell's personal acquaintance with his subject only began in 1763, when Johnson was 54 years old, Boswell covered the entirety of Johnson's life by means of additional research.

 

it an important stage in the development of the modern genre of biography, it has been claimed to be the greatest biography written in the English language. Boswell's work was unique in its level of research, which involved archival study, eye-witness accounts and interviews, its robust and attractive narrative, and its honest depiction of all aspects of Johnson's life and character - a formula which serves as the basis of biographical literature to this day.

 

Biographical writing generally stagnated during the 19th century - in many cases there was a reversal to the more familiar hagiographical method of eulogizing the dead, similar to the biographies of saints produced in Medieval times. A distinction between mass biography and literary biography began to form by the middle of the century, reflecting a breach between high culture and middle-class culture. However, the number of biographies in print experienced a rapid growth, thanks to an expanding reading public. This revolution in publishing made books available to a larger audience of readers. In addition, affordable paperback editions of popular biographies were published for the first time. Periodicals began publishing a sequence of biographical sketches.

 

Autobiographies became more popular, as with the rise of education and cheap printing, modern concepts of fame and celebrity began to develop. Autobiographies were written by authors, such as Charles Dickens (who incorporated autobiographical elements in his novels) and Anthony Trollope, (his Autobiography appeared posthumously, quickly becoming a bestseller in London[11]), philosophers, such as John Stuart Mill, churchmen – John Henry Newman – and entertainers – P. T. Barnum.

 

Modern biography

 

The sciences of psychology and sociology were ascendant at the turn of the 20th century and would heavily influence the new century's biographies. The demise of the "great man" theory of history was indicative of the emerging mindset. Human behavior would be explained through Darwinian theories. "Sociological" biographies conceived of their subjects' actions as the result of the environment, and tended to downplay individuality.

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The development of psychoanalysis led to a more penetrating and comprehensive understanding of the biographical subject, and induced biographers to give more emphasis to childhood and adolescence. Clearly these psychological ideas were changing the way biographies were written, as a culture of autobiography developed, in which the telling of one's own story became a form of therapy. The conventional concept of heroes and narratives of success disappeared in the obsession with psychological explorations of personality.

 

British critic Lytton Strachey revolutionized the art of biographical writing with his 1918 work Eminent Victorians, consisting of biographies of four leading figures from the Victorian era: Cardinal Manning, Florence Nightingale, Thomas Arnold, and General Gordon.[13] Strachey set out to breathe life into the Victorian era for future generations to read. Up until this point, as Strachey remarked in the preface, Victorian biographies had been "as familiar as the cortège of the undertaker", and wore the same air of "slow, funereal barbarism." Strachey defied the tradition of "two fat volumes ... of undigested masses of material" and took aim at the four iconic figures. His narrative demolished the myths that had built up around these cherished national heroes, whom he regarded as no better than a "set of mouth bungled hypocrites". The book achieved worldwide fame due to its irreverent and witty style, its concise and factually accurate nature, and its artistic prose.

 

In the 1920s and '30s, biographical writers sought to capitalize on Strachey's popularity by imitating his style. This new school featured iconoclasts, scientific analysts, and fictional biographers and included Gamaliel Bradford, André Maurois, and Emil Ludwig, among others. Robert Graves (I, Claudius, 1934) stood out among those following Strachey's model of "debunking biographies." The trend in literary biography was accompanied in popular biography by a sort of "celebrity voyeurism", in the early decades of the century. This latter form's appeal to readers was based on curiosity more than morality or patriotism. By World War I, cheap hard-cover reprints had become popular. The decades of the 1920s witnessed a biographical "boom."

 

The feminist scholar Carolyn Heilbrun observed that women's biographies and autobiographies began to change character during the second wave of feminist activism. She cited Nancy Milford's 1970 biography Zelda, as the "beginning of a new period of women's biography, because "[only] in 1970 were we ready to read not that Zelda had destroyed Fitzgerald, but Fitzgerald her: he had usurped her narrative." Heilbrun named 1973 as the turning point in women's autobiography, with the publication of May Sarton's Journal of a Solitude, for that was the first instance where a woman told her life story, not as finding "beauty even in pain" and transforming "rage into spiritual acceptance," but acknowledging what had previously been forbidden to women: their pain, their rage, and their "open admission of the desire for power and control over one's life."

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Recent years

In recent years, multimedia biography has become more popular than traditional literary forms. Along with documentary biographical films, Hollywood produced numerous commercial films based on the lives of famous people. The popularity of these forms of biography have led to the proliferation of TV channels dedicated to biography, including A&E, The Biography Channel, and The History Channel.

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CD-ROM and online biographies have also appeared. Unlike books and films, they often do not tell a chronological narrative: instead they are archives of many discrete media elements related to an individual person, including video clips, photographs, and text articles. Biography-Portraits were created in 2001, by the German artist Ralph Ueltzhoeffer. Media scholar Lev Manovich says that such archives exemplify the database form, allowing users to navigate the materials in many ways. General "life writing" techniques are a subject of scholarly study.

Biography

In recent years, debates have arisen as to whether all biographies are fiction, especially when authors are writing about figures from the past.

 

President of Wolfson College at Oxford University, Hermione Lee argues that all history is seen through a perspective that is the product of one's contemporary society and as a result, biographical truths are constantly shifting. So, the history biographers write about will not be the way that it happened; it will be the way they remembered it. Debates have also arisen concerning the importance of space in life-writing.

 

Daniel R. Meister in 2017 argued that:

 

Biography Studies is emerging as an independent discipline, especially in the Netherlands. This Dutch School of biography is moving biography studies away from the less scholarly life writing tradition and towards history by encouraging its practitioners to utilize an approach adapted from microhistory.

Biographical research

Biographical research is defined by Miller as a research method that collects and analyses a person's whole life, or portion of a life, through the in-depth and unstructured interview, or sometimes reinforced by semi-structured interview or personal documents. It is a way of viewing social life in procedural terms, rather than static terms. The information can come from "oral history, personal narrative, biography and autobiography” or "diaries, letters, memoranda and other materials".

 

The central aim of biographical research is to produce rich descriptions of persons or "conceptualise structural types of actions", which means to "understand the action logics or how persons and structures are interlinked". This method can be used to understand an individual's life within its social context or understand the cultural phenomena.

Critical issues

 

There are many largely unacknowledged pitfalls to writing good biographies, and these largely concern the relation between firstly the individual and the context, and, secondly, the private and public. Paul James writes:

 

The problems with such conventional biographies are manifold. Biographies usually treat the public as a reflection of the private, with the private realm being assumed to be foundational. This is strange given that biographies are most often written about public people who project a persona. That is, for such subjects the dominant passages of the presentation of themselves in everyday life are already formed by what might be called a ‘self-biofication’ process.

 

What is Net Worth

 

Net worth is the value of all the non-financial and financial assets owned by an individual or institution minus the value of all its outstanding liabilities. Since financial assets minus outstanding liabilities equal net financial assets, net worth can also be conveniently expressed as non-financial assets plus net financial assets. It can apply to companies, individuals, governments or economic sectors such as the sector of financial corporations or to entire countries

 

Companies

 

Net worth in business is also referred to as equity. It is generally based on the value of all assets and liabilities at the carrying value which is the value as expressed on the financial statements. To the extent items on the balance sheet do not express their true (market) value, the net worth will also be inaccurate. On reading the balance sheet, if the accumulated losses exceed the shareholder's equity, net worth becomes negative.

 

Net worth in this formulation does not express the market value of a firm; a firm may be worth more (or less) if sold with a going concern.

 

Net worth vs. debt is a significant aspect of business loans. Business owners are required to "trade on equity" in order to further increase their net worth.

 

Individuals

 

For individuals, net worth or wealth refers to an individual's net economic position: the value of the individual's assets minus liabilities. Examples of assets that an individual would factor into their net worth include retirement accounts, other investments, home(s), and vehicles. Liabilities include both secured debt (such as a home mortgage) and unsecured debt (such as consumer debt or personal loans). Typically intangible assets such as educational degrees are not factored into net worth, even though such assets positively contribute to one's overall financial position.

 

For a deceased individual, net worth can be used for the value of their estate when in probate.

 

Individuals with considerable net worth are described in the financial services industry as high-net-worth individuals and ultra high-net-worth individuals.

 

In personal finance, knowing an individual's net worth can be important to understand their current financial standing and give a reference point for measuring future financial progress.

 

Governments 

 

Balance sheets that include all assets and liabilities can also be constructed for governments. Compared with government debt, a government's net worth is an alternative measure of the government's financial strength. Most governments utilize an accrual-based accounting system in order to provide a transparent picture of government operational costs. 

 

Other governments may utilize cash accounting in order to better foresee future fiscal events. The accrual-based system is more effective, however, when dealing with the overall transparency of a government's spending. Massive governmental organizations rely on consistent and effective accounting in order to identify total net worth.

Net Worth

Countries

 

A country's net worth is calculated as the sum of the net worth of all companies and individuals resident in this country, plus the government's net worth. As for the United States, this measure is referred to as the financial position, and totaled $123.8 trillion as of 2014

Celebrity Stats

 

Net Worth$30 Million
BornDecember 8, 1967
CountryUnited States of America
GenderMale
Occupationfootball player
Height6 ft 4 in (1.93 m)
Weight218 lb (99 kg)
Last Updated

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